By Emilie Hendryx What is a good platform base? Do I need a platform? How do I build a platform? What will a platform do for me? What is a platform, anyway? These questions are enough to make your head spin. My simple definition of platform is this: Platform is a genuine community of people who “get” you. That is …
Fritter Not Away the Hour
By W G Reese Sitting at the computer in the far right corner of my basement, my eyes fix on that annoying sentence that rambles no matter what I do. I blow a puff of air in frustration which loosens a small ball of dust in the screen’s upper right side. Hmm… Dust. My finger lifts and wipes it free. …
The Marvelous Middles
By Lauren H. Brandenburg We are the writers for the Marvelous Middles. At writers’ conferences, we don’t quite fit in with the crowd. True, we have characters that we love, worlds that we have delicately designed, and plots that will entertain and excite like everyone else, but we are different. Sessions on social media marketing don’t apply, as most of …
Valuable, Accessible, Untapped
By Mary Lou Cheatham How can you sell more books? I don’t have many answers, but in all humility I’d like to suggest something uncomplicated that works. Many of the authors reading this blog are selling all the books they wish. Although I’m a newbie, I want to tell you about a resource I’ve discovered. The more high quality venues …
Where Are You Going?
By Lillian Duncan Hebrews 11:8 says, “By faith, Abraham when called to go to a place he would later receive his inheritance obeyed and went, even though he did not know where he was going.” This verse should speak to every writer, every artist, every dreamer out there. God gives us dreams, but like Abraham we don’t know where those …
Authors as Midwives
by Linda Brooks Davis Ever labor over a character and wonder if you’ve birthed a hero, a monster, or a puppet? As a grandmother in her 70th year of life, memories of the birthing process are vague to say the least. But even after 45 years, I recall snippets: the discomfort of a growing belly and the physical changes that …
How Do You Talk?
By Bonnie S. Calhoun I have found a home in YA (Young Adult) and one of the important elements of writing successful young adult stories is the dialogue. They do not speak as we adults do! Listen to the kids, and how they talk, listen to your teens with the text speech…IDK. Dialogue is nothing more than having a conversation. …
How to Handle Criticism
By Donna L.H. Smith I hope to bring a fresh perspective to a sensitive subject. As writers, we’re regularly critiqued, edited, and otherwise told to change our text. It can get downright discouraging if we don’t have the proper attitude toward it. If we have rejection issues (like I do), it can feel personal, when it’s really not. It’s about …
Relatable Characters
By Ane Mulligan Is your character one you either like or at least relate to? Nobody truly likes Scarlet O’Hara, but nearly everyone relates to her on some level. The protagonist needs to have relatable or endearing flaws and quirks. Does the characterization remain constant? After the peak of the character arc, the character may become sensitive to their main …
Mirror, Mirror: Using A Character’s Surroundings to Show & Not Tell
By Hannah Conway Show, don’t tell. I’m sure we’ve all heard that before. Some of us may have even rolled our eyes a time or two upon hearing those words from a critique partner, or editor. I may, or may not, have rolled my eyes…no judging. Show. Don’t tell. Um, hello, it’s a novel. We HAVE to tell some things. …