By Anne Greene The last time I wrote, I discussed how to Make Your Manuscript Sparkle. I trust you all learned more about deep point of view from that lesson. Down through the years of writing and being a charter member of ACFW when it was ACRW, I’ve learned so much of the craft of writing that God nudged me …
Pinkerton Agents, Inventions, and the Charming Villain: Three Essential Ingredients of a Good Bad Guy
By Kathleen Y’Barbo Will Tucker is a handsome fellow with enough charm and drop-dead good looks to gain more than one wealthy fiancé. And he does. Not exactly hero material, is he? That’s because Will Tucker, the subject of my new Southern-with-a-dash-of-Steampunk historical series The Secret Lives of Will Tucker is not the hero. He’s the villain. Writing a series …
Research and a Wealth of Stories
by Diana Wallis Taylor With Claudia, Wife of Pontius Pilate coming out in June, people ask me how I can write a whole book about a woman who appears only briefly in one paragraph of one of the Gospels. I tell them, that this is where your research comes in. As with any other obscure character, you need to know …
What was the Question?
by Beth K. Vogt “I start with a question. Then try to answer it.” – Mary Lee Settle (1918-2005), author The best way to start a novel is with an Inciting Incident, right? The event that changes the main character’s life – shoves them out of their normal world – and sends them on a journey. But there’s something that …
Back Story vs Character History, Part Two
by Rachel Hauck Welcome back. Yesterday we discussed the differences between character history and back story. Today, let’s learn more about character history and how to use it to strengthen your writing. Like I said yesterday, Character History is hot, lean and sleek, fast and quick, in and out, not weighing down the story. Back story, we all know, slows …
Back Story vs Character History, Part One
by Rachel Hauck Ding, ding! Referee: “Ladies and gentleman, welcome to the first ever bout between Back Story and Character History.” Wahhaaaaa. Cheeerrrs! Ref: “In this corner, from the New York City, wearing black shorts, weighing in at a hefty five hundred and eighty-two pounds is the champion of all novel prose, Baaaaack Storrrryyyyyy!” Waahhhh…. crowd cheering. “And in this …
Psychopaths in Fiction
by Jeannie Campbell, LMFT Colloquially, people use the term psychopath (pronounced sigh-COP-ah-thee) to indicate that someone is “crazy,” but this would be a gross overstatement. I’ve got family members who are crazy, but are not remotely psychopaths. In the psychological field, the term is mainly used in conjunction with or as the equivalent to Antisocial Personality Disorder, but this is …
Therapists in Fiction
by Jeannie Campbell, LMFT I like to think that any professional, not just therapists, would laugh at their fictional counterparts. I assure you that Drs. Frasier Crane and Hannibal Lecter are hardly representative of the majority of us. No, authors most likely convey therapists as empathetic, conservatively dressed, with degrees artfully hung on the wall in a tasteful but somewhat …
Motivation-the Foundation of Compelling Characters
By Ane Mulligan For those who have read Debra Dixon’s book GMC: Goal, Motivation & Conflict, I have come to the conclusion that Motivation is the most important. Motivation engages us. We can relate to character motivations. They form the foundation of characters that live on in our minds after the story ends. Motivation leads to character arc. It’s the …
Who’s In Charge?
by Maureen Lang I like walking our dog for exercise, so I set a fast pace. But if my dog were in charge, we’d stop at every “interesting” scent and visit every dog we pass by. And if a bunny crosses our path-look out for an unplanned hunt! As much as I love indulging my dog, my exercise regime would …