By Laurel Blount A long, long time ago when I was in my twenties—back in the dark ages when there was no internet, no cell phones, and no social media—I submitted a book proposal to a well-known publisher. I was overjoyed when I received a request for the full manuscript, but ultimately, I got a kind rejection letter. Deeply disappointed, …
Beyond Writer’s Block
by Preston Shires A lot of people talk about writer’s block. To be honest, and I say this whispering, I really don’t know what they’re talking about. However, I do know that in order to write, one must have the perfect atmosphere, and you must stay in place to take advantage of it. So, I think I’ll write about that. …
From Disaster to Discovery
By Kathryn Haueisen Until I retired, most of my writing was work-related non-fiction. Critique groups, beta readers, and launch teams were all new concepts to me. I wrote my first novel without a critique group; didn’t yet know what a beta reader was; and didn’t get help with a book launch until the book was at the printer. I had …
Six Reasons Why Authors Edit Their Manuscripts
By Glynn Young Editing has been much on mind lately, and I’m learning that editing requires more of my time and focus than drafting the original manuscript. I’m working on the fifth, and final, novel in a five-book series. This one has taken more time to write; I’m aiming for something more ambitious than its four predecessors. I’ve been through …
What if We Could Start Over?
by Frank DiBianca Are you a relatively new writer? What most new writers need isn’t learning to write perfect prose. Line or copy editors can easily fix those errors unless the language has been murdered. The problem is writing prose that’s stylistically appropriate for the modern reader, which editors can’t fix unless they rewrite large portions of the manuscript. My …
Write What You Know
By Lynn Hobbs Have you ever read a book that kept your attention? Was it informative? I have been fortunate enough to read many and I can assure you, they will remain in my library to be shared and reread later. What are the writers secret to writing such terrific books? Simple. They are writing what they know. They may …
Going For It
by JPC Allen I couldn’t have heard that right. Last December I was talking to author and editor Michelle L. Levigne at the Faith and Fellowship Book Festival in Etna, Ohio. Michelle is also the co-founder of Mt. Zion Ridge Press. That afternoon, she said the deadline for submitting short stories for the press’s Christmas anthology was December 15. I’d …
The Doctor Is … In
by Jamie Chavez You’ve been there, I know. Those moments of extreme manuscript fatigue. You just want to walk away. I get these emails. Stop me if you’ve heard this one. You: I will never finish this book. And it doesn’t matter, because it’s no good! The writing’s crap! The plot’s crap! The dialogue’s crap! I think I’m just gonna …
Nine Things You Learn when You Write (That You May Not Learn if You Don’t)
by Kathy Harris If we study the craft of fiction, we can learn a lot of important things, from how to write proper point-of-view to how to format a manuscript. And, while each of these skills is vital to becoming a great writer, there are other important lessons we can learn only through writing, i.e. putting words on paper and …
Why Do Imperfect Characters and Story Worlds Resonate with Readers?
By Cynthia Herron You might think because I write Heartfelt, Homespun Fiction my story worlds are a delightful Sunday-Go-to-Meeting escape. Well, I can’t fib. That’s somewhat true…to a point. However— As a conscientious writer whose goal is to share a great story, I strive to balance the delightful with reality-based conflict in a heartfelt, homespun way. Today’s readers want meat-and-potatoes stories that resonate. …