By Cynthia Ruchti Two passages diverged in a yellow wood. And I… I took the one with subtext And that has made All the difference. (with apologies to Robert Frost) When writing, critiquing, judging, or editing a story, attention to subtext can make all the difference. It deserves another look. When writing instructors talk about the elements that mark the …
How to trick your brain and create the perfect writing environment
By Melissa Tagg Here’s the thing: I wish I could do ALL my writing on languid Saturday mornings…slow and relaxed and unencumbered by things like, oh, you know, the need to actually get dressed and go into the office and interact with the real world. But once I signed my first publishing contract, I realized in order to do that …
The Magic Triangle: Exploring Wounds for Deeper Fiction
By Connilyn Cossette Have you read a book in which the characters seem flat? Lifeless? I certainly have. The plot may be great and the writing lyrical, but if the characters do not leap from the page the story will either leave readers unsatisfied or end up in the graveyard-of-unfinished-books. Since our goal is to provide an experience where readers …
How to Light a Fire to Your Writing Career
By DiAnn Mills When writers realize the embers of their careers are dying, stomping out the few remaining flames is not the answer. Instead, effective writers look for new ways to promote themselves that explodes with ingenuity and creativity. Is your career on the verge of smoldering? Try adding a spark to your marketing and promotion plan with these ideas. …
Adding Flesh to the Bone: Writing Compelling Historical/Biblical Fiction
By Mesu Andrews If you’re invited to my house for a quiet evening, you should hope I only serve dessert. I’m not a terrible cook, but my main dishes usually come from a box. Why? Because the only seasonings I know how to use are salt and pepper, which makes most of my food-from-scratch taste…well, bland. When our daughter and …
How Do You Talk?
By Bonnie S. Calhoun I have found a home in YA (Young Adult) and one of the important elements of writing successful young adult stories is the dialogue. They do not speak as we adults do! Listen to the kids, and how they talk, listen to your teens with the text speech…IDK. Dialogue is nothing more than having a conversation. …
Relatable Characters
By Ane Mulligan Is your character one you either like or at least relate to? Nobody truly likes Scarlet O’Hara, but nearly everyone relates to her on some level. The protagonist needs to have relatable or endearing flaws and quirks. Does the characterization remain constant? After the peak of the character arc, the character may become sensitive to their main …
Mirror, Mirror: Using A Character’s Surroundings to Show & Not Tell
By Hannah Conway Show, don’t tell. I’m sure we’ve all heard that before. Some of us may have even rolled our eyes a time or two upon hearing those words from a critique partner, or editor. I may, or may not, have rolled my eyes…no judging. Show. Don’t tell. Um, hello, it’s a novel. We HAVE to tell some things. …
Unlocking the Doors
By Donna Schlachter Do you sometimes feel, in trying to get your book published, that you’re rattling at one locked door after another? Perhaps you’re struggling to find an agent, or maybe you’ve been submitting directly to publishers and gotten nothing except rejections. Or worse, silence. It’s okay. We’ve all been there. Some of us are still there. And we …
10 Things That Steal Our Writing Joy
By Edie Melson I’m a member of several writing groups, and I’m always amazed at the different reactions people have to similar situations. For instance, one writer might leave a critique session in tears, questioning whether or not the call to write was real. Another writer might have just as challenging a critique and leave energized because she now has …