Mirror, Mirror: Using A Character’s Surroundings to Show & Not Tell

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By Hannah Conway Show, don’t tell. I’m sure we’ve all heard that before. Some of us may have even rolled our eyes a time or two upon hearing those words from a critique partner, or editor. I may, or may not, have rolled my eyes…no judging. Show. Don’t tell. Um, hello, it’s a novel. We HAVE to tell some things. …

Unlocking the Doors

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By Donna Schlachter Do you sometimes feel, in trying to get your book published, that you’re rattling at one locked door after another? Perhaps you’re struggling to find an agent, or maybe you’ve been submitting directly to publishers and gotten nothing except rejections. Or worse, silence. It’s okay. We’ve all been there. Some of us are still there. And we …

10 Things That Steal Our Writing Joy

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By Edie Melson I’m a member of several writing groups, and I’m always amazed at the different reactions people have to similar situations. For instance, one writer might leave a critique session in tears, questioning whether or not the call to write was real. Another writer might have just as challenging a critique and leave energized because she now has …

Don’t Let These 5 Confusing Words Mar Your Image

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By Dianna Booher Tom’s an articulate physician, totally able to speak his mind and express a strong point of view. But when he repeatedly says “between you and I,” that grammatical error has the same effect as a big splotch of mustard on the front of his suit and tie. Words matter-particularly, the wrong ones. Or the right ones used …

The Juggling Act: Working Full-time and Writing

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By Amy Clipston People often ask me, “How do you work a full-time job and write books?” I resist the urge to roll my eyes, and instead I sweetly reply, “I just make it work.” Unlike many authors, I work a full-time for a local government, in addition to writing four books per year for HarperCollins Christian Publishing. While other …

Writing Your Manuscript a Third at a Time

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By Johnnie Alexander Every manuscript begins as an idea-perhaps a character whose voice won’t leave us alone or a situation that demands to be explored. Our challenge is to turn that idea into a story. What blueprint, plan, or method will we use? One popular approach is to write the draft fast. Anyone who has participated in NaNoWriMo understands the …

Write What You Know?

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By Katherine Reay As I generate ideas for my next novel, I realize a certain theme in everything I write. If you’ve read anything of mine, you’d probably say “classic literature.” While you wouldn’t be wrong… Goodness knows, with titles like Dear Mr. Knightley, Lizzy and Jane and The Bronte Plot, how could you be? But there’s a deeper theme… …

Why it’s Important for Mystery/Suspense Writers to Consider Motive

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By Janice Cantore In criminal court, ascertaining motive or intent is an integral part of the legal process and sets the tone for sentencing. The determination of a person’s motive can mean the difference between the death penalty, life in prison, a long sentence, a short sentence, and freedom. In the same way, the bad guy’s motive in a mystery …

Be Amazed by Listening

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By Stan Crader I’m a novelist working on a non-fiction-it’s a stretch. The facts, once known, are easy to report. It’s the finding of facts, also called research, that’s painstaking, time consuming, and hard work; two of the three are okay. I’m working on the history of Stihl in America. Stihl, for those few who don’t know, is the largest …