Subsidiary Rights

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by Natasha Kern Natasha Kern Literary Agency I’ve been thinking recently about subsidiary rights because I’m going to Anaheim for the RWA conference. Attending RWA includes meeting with clients, editors and new writers and arranging a private lunch for my clients to meet with Amazon execs to discuss ebooks. I’ll also be meeting with film folks. With several films optioned, …

The ROY G BIV Approach

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by Cynthia Ruchti Do they still teach elementary school children the colors of refracted light, rainbow-style, via the ROY G BIV method? Memorizing seven colors in a specific order is tough…until you learn the odd but hard to forget name ROY G BIV: red, orange, yellow, green, blue, indigo, violet. Got it. Forever. Some common misspellings and punctuation glitches that …

Learning By Teaching

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by Rachel Hauck At the ACFW conference in Houston ’03, I watched the bubbly and newly published Susan May Warren dash off to teach a writing workshop one afternoon. I remember thinking, “How does she know what to teach? She’s only been published a year.” As a newly contracted author four months from my first print publication with an e-book …

Platform, Presence and the ACFW Journal

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by Cheryl Wyatt Building platform and name recognition are as crucial to publishing as quotation marks to a killer line of dialogue. You may have an engaging hook and stellar book, but if you’re not on readers’ radars, low sales can impede future contracts. Even if you write as worship, marketing matters. If you’re pre-published, now is a good time …

Three Steps to Creating an Occupation for Your Characters

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by Cara C. Putman As writers, one of our tasks is finding the right career for your characters. Not only do your characters populate your story, they fill roles and hold jobs. Finding the right career can be a key piece to getting the character to fit. Sometimes when I pick up a novel, it feels like the character’s job …

The Secret to Effective Hooks: Write Like a Journalist

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by Sandra Bishop MacGregor Literary More than any other element of a pitch, a solid hook offers more opportunity for you to grab – and possibly keep — an agent or editor’s attention. Yes, hooks are hard to nail, but not impossible. Try drawing from a couple simple techniques you learned in high school journalism: Start with the Five W’s …