When A Town Becomes a Character

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By Lisa Schnedler There are towns that you visit—or perhaps ones you have lived in—that are so unique, so special, that they seem to have a personality all their own. When a town has a distinct personality—and is the backdrop of a novel—the town itself becomes a “character” in the story. Bentonsport is such a town and is the setting …

The Agile Writer’s Mind

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By MD House What is the difference between having a fertile mind and an agile mind? As writers, or rather, creators of linguistic art, we boast a great deal of creativity and ingenuity. We may rightly be said to have fertile minds. But what about agility, and how do we define that? In a physical sense, we think of agility …

5 Tips for Speaking at Your Local Library

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by Lisa Jordan After my debut novel released over ten years ago, a close friend mentioned her book club was reading Lakeside Reunion, and she asked if I’d talk at their get-together. I agreed and enjoyed the conversation. One of the book club attendees worked at our public library and asked if I’d be interested in speaking to another book …

How HiFi is Your Hi-Fi?

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By Gordon Saunders That is: How High Fidelity Is Your Historical Fiction? Historical fiction is tricky. On the one hand, you must tell a great story. On the other hand, you mustn’t rewrite history. Or mustn’t you? Because if you read lots of biographies and historical commentaries, you can’t find just one history. And if the history is far enough …

If You’re an Author, You’re Multilingual—Whether You Know it or Not

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By Lana Christian     How many languages do you speak? I speak English and German. English is my dominant (first) language, but sometimes German pops into my thoughts, dreams, and writing without my bidding. That can be good or bad, depending on how you look at it. My handwritten notes combine English, German, and a personal shorthand—whichever is shorter …

Worthy Words: Creative and Compelling Characters

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By Christine Sunderland As I reflect on my next novel, The Music of the Mountain, I return to the importance of creative and compelling characters. In some way my characters must change in the timeline of the plot, and this arc is determined by their own ability to change, their creative ability to learn, turn, confess, repent, and be reborn …