by Ian Acheson We writers wait a lot. I expect for most of us the production process of drafting a manuscript is an active one, however, there will be times we will be waiting for feedback from others before we proceed to the next stage. When we’ve completed the manuscript we can expect to wait a lot. Critique groups, editors, …
Who Knows What When
by Cathy Gohlke Access to information affects the motivations, actions, and consequences borne by every character we create. This truth came boldly home to me while writing Saving Amelie, a story set in Nazi Germany during 1939 and 1940. In writing about a society controlled and censored by a dictatorship and rife with propaganda, it was difficult-sometimes overwhelming-to determine who …
Color Me Purple: Help Others Take an Interest in Your Work
by Debra Koontz Roberson Remember this children’s nursery rhyme? I never saw a purple cow I never hope to see one But I can tell you this right now I’d rather see than be one. Being different may be a horrible thought when you are a child or teenager, but it’s essential when you’re a grownup marketing yourself and your …
Houston-The Most Diverse City in the US
by DiAnn Mills I love Houston. It’s home, and that makes it the most special place on the planet. Oh, I know you’re thinking of cowboys and oil wells, Texans and Astros. And those things are true. But Houston appeals to many people groups. According to the Kinder Institute for Urban Research at Rice University, Houston ranks as the most …
Dissecting The Old To Make It New
by Gail Gaymer Martin By the time novelists sell to a traditional publisher, they’ve donated a large amount of time honing their craft. Rejection points out a weak writing technique: pacing, dialogue, point of view or other flaws. Learning to write a good book is a craft. Many people say someday they’re going to write a book. They sit down, …
Writing Connected Stories
by Winnie Griggs As a reader I’ve always loved connected stories. I mean, what can be better than knowing that the characters and storyworld that you’ve just invested so much time and emotion into are going to reappear in more books to come. As an author, however, it never occurred to me to try to pen connected stories myself, until …
Writing a Short Synopsis
by Roxanne Rustand Learning to write a concise, appealing synopsis is extremely important. After you start selling, you’ll eventually be able to sell on proposal (a synopsis and three chapters) or perhaps on just a synopsis. There are many formats for writing them and this is certainly not the only method, but it has worked for me. Start with a …
Learning From Other Authors’ Strengths
by Lindsay Harrel Comparison. It’s the big no-no word in the writing world, isn’t it? We’re always being told – and probably telling others – that we shouldn’t compare our writing to that of anyone else. It makes sense. After all, we each have a unique voice, and I’m bound to tell a story differently than you would. But what …
Why I Write About Demons
by Bruce Hennigan I am amazed at times by friends who think that I am somehow in league with Satan because I write novels about demons. Nothing could be farther from the truth. So, why do I write about demons? Because I have stared the enemy in the its face and I will not back down again! My first encounter …
Relying on the Reliable Narrator
by Christine Sunderland World War I (“the war to end all wars”), begun a century ago, seeded an era of cynicism, doubt that “civilization” was possible, that the savage beast could be tamed. England lost one third of their best and brightest young men. Despair and disbelief filled those who were left, a despair reflected in the arts and letters …