By DiAnn Mills We all want to be called pro writers and to raise our status to bestselling. In our excitement, we follow the award-winning, best-selling writers whose success make us drool. Their books are read and reread, often with highlights. Their blogs are ingested like candy, and whenever they speak, we’re there. At conferences, we sign-up for one-on-one appointments …
Between You and SME: Resources for Fiction Writers
by Angela Arndt As a corporate trainer for an insurance company, I wrote the curriculum and trained new hires to ensure they used correct procedures. But my degree was in education, not computer programming. How could I teach them when I needed someone to teach me? The answer? A subject-matter expert, or SME (pronounced “smee,” like Captain Hook’s bo’sun in …
When Characters Start Talking
by Ann H. Gabhart Several years ago I had a part time job that allowed me to work from home, one I hoped would give me more time to write. It was a bear of a job. As the substitute coordinator for my county’s school system, I spent hours on the phone scheduling replacements for absent teachers. Okay, so you’re …
How Not to Write a Series
By Linda W. Yezak I usually invite another author to join us when Billy and I work the Blueberry Festival in Nacogdoches, Texas. Having someone to display their covers helps draw readers to our table, but it also gives us someone to talk to during the long periods when nothing is happening. One year, my husband watched carefully as one …
Staying Dependent
By Ian Acheson A couple of recent online discussions made me reflect on my writing journey. At the same time, I had been reading Exodus 33 where Moses on being commanded to leave Sinai demanded of God that he wouldn’t go anywhere without His presence. Let’s have a look at the passage: “Then Moses said to the Lord, “See, You say …
Creating a Crazy-Good Critique Group
By J.A. Marx We fondly call each other critters, and I consider this group of serious writers essential to my writing career. I’m sure online critique groups work well, but I prefer face-to-face. For one, as the facilitator, I like to observe the newbies to ensure they are holding up under the initial shock—reading their story out loud for the …
Be Still
By Gabrielle Meyer Recently, I learned that one of the publishers I write for is closing their historical line. It was a blow I didn’t see coming as I watched my well-laid plans crash at my feet. After working for five years to get where I was, it felt like I was back at square one. I’d faced rejection letters …
Five Reasons to Write Flash Fiction
By Leslie DeVooght Six months ago, I had no idea Flash Fiction existed, and much less considered that it could help my writing career. All that changed at the Florida Christian Writers Conference, when I attended Lindsey Brackett’s class on writing Flash Fiction. By the end of the class, I was intrigued. When I got home, I ordered two books …
Story First, Novel Second
By Dennis Ricci “Literary talent is commonplace. Storytelling talent is rare.” Robert McKee, the Hollywood story guru who’s trained many of the great filmmakers and screenwriters of our generation, made that statement within the first hour of his Story Seminar, which I attended last March. McKee defined the differences between literary and storytelling talent: Literary: the ability to convert ordinary …
Being Equipped
By Henry McLaughlin God has a will, or a plan for each of us. Psalm 139:16 (NLT) tells us, You saw me before I was born. Every day of my life was recorded in your book. Every moment was laid out before a single day had passed. Each of us is on this earth for a specific reason. We may …