By Patti Shene They say you should write what you know. These past few months, my life has been draped in sadness and loss. (Please don’t stop reading! I’m not going to take you into a world of gloom and grief!). My mom passed away in February of this year and my husband in June. I was blessed to speak …
A Lot Like Life
By Kariss Lynch Four funerals in six weeks. Six weeks of grieving and celebrating and laughing and crying. Six weeks of wrestling with the Lord and wondering why. Six weeks without writing, because how do you write when you can’t iron out the journey or the answers to the journey in your own head? When you only have the emotional …
Those Stories in My Head
By Martha Rogers Like the raindrops in the song, these stories keep falling on head and filling it with ideas. Peg Phifer posted a quote on our Novel Track writing loop, and it suits me to a T. “GOD PUT ME HERE TO ACCOMPLISH A CERTAIN NUMBER OF THINGS. AT THIS RATE, I’LL NEVER DIE!” That’s exactly how I feel …
Tell Me Lies: A Character Building Tip
By Hannah Conway When it comes to writing, making characters isn’t my strong suit. Sigh. The plot comes natural to me. My mind wields a storyline that I can only hope to portray with words. Yet, in order to become a better writer, to deepen and sharpen my craft, I need developed characters. Not any characters, but characters that reach …
Authors as Midwives
by Linda Brooks Davis Ever labor over a character and wonder if you’ve birthed a hero, a monster, or a puppet? As a grandmother in her 70th year of life, memories of the birthing process are vague to say the least. But even after 45 years, I recall snippets: the discomfort of a growing belly and the physical changes that …
Relatable Characters
By Ane Mulligan Is your character one you either like or at least relate to? Nobody truly likes Scarlet O’Hara, but nearly everyone relates to her on some level. The protagonist needs to have relatable or endearing flaws and quirks. Does the characterization remain constant? After the peak of the character arc, the character may become sensitive to their main …
Mirror, Mirror: Using A Character’s Surroundings to Show & Not Tell
By Hannah Conway Show, don’t tell. I’m sure we’ve all heard that before. Some of us may have even rolled our eyes a time or two upon hearing those words from a critique partner, or editor. I may, or may not, have rolled my eyes…no judging. Show. Don’t tell. Um, hello, it’s a novel. We HAVE to tell some things. …
Why Did I Kill a Certain Character?
By Henry McLaughlin The writer’s life does not take place in a vacuum. Especially if your work is published. Suddenly, there is a community of readers who have questions about the story and why did certain things happen. A frequent question I’ve received is why, in Journey to Riverbend, did I kill Old Thomas. Old Thomas is the Native American …
Be Stunning
By Lauren H. Brandenburg As writers we work hard to create stunning characters. Our protagonists feel more, say more, and often express more than the writers who create them. Our characters have a mission and are not only driven by the plot line we set them upon, but rather an inner desire, conviction, or conflict that we have placed inside …
Why it’s Important for Mystery/Suspense Writers to Consider Motive
By Janice Cantore In criminal court, ascertaining motive or intent is an integral part of the legal process and sets the tone for sentencing. The determination of a person’s motive can mean the difference between the death penalty, life in prison, a long sentence, a short sentence, and freedom. In the same way, the bad guy’s motive in a mystery …