By DiAnn Mills Writers are bombarded with how to prep for writing an unforgettable character. We want every story to be deeper than the previous one, and that means depth of character. Over the years of writing, I’ve gathered many valuable resources. While I use an extensive character sketch that fits my method of writing and personality, the following are …
Your Roots Are Showing
By Shirley Gould Working as a hairdresser for five years, I covered up a lot of roots. In those days when the bleached blonde hair grew out revealing their natural color, I’d apply bleach and toner to bring her back to the desired platinum shade. Today, it’s the popular style to let it grow out…they call it ombre. Later in …
Don’t Be a Troublemaker
By Davalynn Spencer Did your mother ever tell you to stop being a troublemaker? How about your teachers? Friends. Well, if that task was hard to achieve in your childhood, and you’re a fiction writer today, now’s your chance to shine. Making trouble is what novelists are called to do. We usually think of that trouble in terms of “conflict” …
Three Boredom-Busting Tips
By Linda W. Yezak “The only rule I have found to have any validity in writing is not to bore yourself”—John Mortimer. If you follow Mortimer’s rule not to bore yourself, chances are good you won’t bore your reader either. So how do you make certain your reader stays hooked throughout your novel? The basic answer is to have a …
Achievable Believable Character Transformation
By Donna L.H. Smith Romans 12:2 says, “Do not be conformed to this world, but be transformed by the renewal of your mind, that by testing you may discern what is the will of God, what is good and acceptable and perfect.” This verse says a lot about our character as people. It should also be the basis for your …
What Is the Message?
By Jean Kavich Bloom As an avid fiction reader and a fiction editor with more than thirty years in the Christian publishing world, I understand the power Christian fiction can have. Perhaps that’s one reason I’m concerned about a topic that can be a Pandora’s box of emotions and opinions—the message a fictional character’s response to sexually oriented advances sends …
Ensemble Cast
by Christa Kinde In our books, the main character rarely operates alone. Depending on the needs of the story, we provide them with friends and neighbors, romantic interests and rivals, critics and supporters. The first book in my new YA trilogy is steadily building an ensemble cast of mongrels and misfits. All of them are needed. The story couldn’t happen …
Writely Dividing
By Kathy Parish Come with me into a very small Sunday School room in a small country church. There are no catchy posters decorating the walls. There are no reference books and no dry erase board as a teaching aid. For we have traveled back in time to 1961. There are one or two fifth graders in the class, taught …
A Story Needs People
by Ann H. Gabhart “I will go to my grave in a state of abject endless fascination that we all have the capacity to become emotionally involved with a personality that doesn’t exist.” (Berkeley Breathed) As a writer I have become emotionally involved with many characters that only came into existence because I imagined them and set them down on a …
What Is Your Hero Pursuing?
by Henry McLaughlin We’ve all heard story is about conflict and tension. And that is definitely true. Stories about happy people living in Happy Valley don’t excite readers. Frankly, they can be boring. The story becomes a story when something disrupts the status quo. As John LeCarré once said, “The cat sat on the mat is not a story. The …